Toxic: A Fairy Tale for Grown-ups (2026): The Opening Scene gives the film energy despite weak payoffs
The first glimpse of Raya is pure spectacle. Yash towers over the frame, the Goa underworld bending to his will as the…
Latest Articles by Rudra Sharma
Shabara (2026): Dheekshith Shetty Digs Into A Dual-Era Treasure Hunt That The Evidence Can’t Yet Cash
Two eras. One treasure. That’s the whole pitch, and Kilaru Prem Chand’s directorial debut is smart enough to know that a logline…
Avaraachan & Sons (2026): Biju Menon Anchors A Warm, Wayward Family Comedy
Chellanam is the kind of coastal town that keeps receipts. Every slurred insult, every unpaid tab, every night Avaraachan stumbles home reeking…
Bail (2026): Shiva Rajkumar Anchors A Sturdy But Overstuffed Cop Drama
Shiva Rajkumar does not enter Bail so much as he settles into it. The first sustained image of him as retired commissioner…
Thella Kaagitham (2026): Harsh Roshan Leads A Tender 2000s Romance That Keeps Its Biggest Scene Off-Screen
The most discussed scene in Thella Kaagitham never appears in the film. Weeks before its 2 October 2026 release, an intimate sequence…
Baththa (2026): Vijay Sethupathi Anchors A High-Concept Premise That Tests Patience
Balaji Tharaneetharan has never been a filmmaker interested in the obvious. The director behind Naduvula Konjam Pakkatha Kaanom and Seethakaathi has built…
Vibe (2026): Kunal Khemu’s Spy Caper Is a Great First Half Trapped in a Bloated Second
Somewhere around the ninety-minute mark of Vibe, a Bangkok corridor fills with the sound of two grown men bickering over a wire…
HALF (2026): and the Missing Pieces
Half opens on snow, not fangs. Somewhere in Europe, a vampire named Victor falls for a human woman, Sofia, and the hunters…
Enna Vilai (2026): A Fisherman, a Gold Pendant, and the Quiet Machinery of Injustice
The first image that sells Enna Vilai is almost insultingly simple: a coin sinking through green water, caught between a devotee’s fingers…
Epic – First Semester (2026): Hesham Abdul Wahab’s Melodies Outlast the Drift
A phone call home from a cramped London flat, a mother’s voice thinning into static while her son counts pounds he does…
Last Man in Tower (2026): Bajpayee Holds the Line, Dutta Steals the Room
Masterji sits with a child’s arithmetic book, correcting sums while, somewhere in the same building, neighbours weigh a builder’s offer against decades…
Haiwaan (2026): Priyadarshan’s Craft Holds While His Thriller Slips
Sound arrives before sight in Haiwaan, and Priyadarshan leans into that idea with real craft. A blind caretaker maps a room by…
Pradhama Dhrishtya Kuttakkar (2026): Shahad Nilambur’s Craft Sharpens a Moral Trap
A scuffle inside the Nattakom station in Kottayam ends with a man in custody dead on the floor, and four constables standing…
America America 2 (2026): Nagathihalli’s Seattle Gamble Never Quite Pays Off
Nudi flies into Seattle chasing a work contract and walks straight into the one man she spent years trying to forget. The…
Maremma (2026): Telangana Rituals Shot Beautifully, Wrapped In Tedium
In Mahishapuram, drought and epidemic have drained a Telangana village dry, and the goddess Maremma is still waiting for her buffalo. Karni…
Sardar 2 (2026): Karthi’s Dual-Role Spy Thriller Doubles Down on Espionage Chaos
Karthi’s Agent Sardar Chandra Bose locks eyes with his own reflection, and the mirror cracks between two identities. That fracture is the…
The Transition (2026): A Documentary’s Ghost Haunts Berlin’s Changing Streets
There is a peculiar weight to any film that begins as someone else’s final project. The Transition arrives carrying the ghost of…
Mirzapur: The Movie (2026): Big-Screen Return Lacks Series’ Ruthless Precision
The gaddi is silent, the air thick with the promise of retaliation, as Akhandanand Tripathi walks back into frame. This isn’t the…
Romanchakam (2026): A breezy Telugu comedy that fumbles its own romance
Anvesh (Sumanth Prabhas) is a Hyderabad engineering graduate launching a dating startup with his friends, and there’s a genuine spark in these…
I’m Game (2026): A Nearly Three keeps the film tense but uneven overall
Dulquer Salmaan’s Dan John enters a world of high-stakes crime with the swagger of a man who knows the odds are stacked…
Soulmates – Oru Saathukkudi Pranayam (2026): Nivin Pauly Anchors Meta-Romance That Plays Too Safe
Joel Davis walks into the frame of a film that is not quite his own, pitching a short film about a mosambi,…
Unmadham (2026): Kunchacko Boban Anchors A Mystery That Loses Its Grip
Kunchacko Boban walks through the first half of Unmadham with a quiet intensity that suggests something dangerous is coiled beneath the surface.…
Sudesha (2026): A 35-Minute Portrait of Chipko Resistance That Stays Earnest, Uneven
The village women carry firewood and water while the men argue about timber contracts, and Sudesha Devi moves between both worlds, a…
Bhaskara Bharanam (2026): Roopesh Peethambaran Doubles lifts key stretches, not the full runtime
The forced cohabitation premise lands with an almost theatrical bluntness: a father and son who can barely stand each other, now locked…
Poovellaam Kettuppaar (2026): The Malaysian Frame lands hard though the screenplay stays patchy
The title carries weight, but the canvas is unfamiliar. This 2026 Malaysian Tamil psychological thriller enters a crowded space where identity often…
Character’s Creation (2026): The Missing Frame keeps the film tense but uneven overall
There is a moment in *Character’s Creation* where the frame goes empty, no actor, no dialogue, just a held silence that stretches…
Hushar Pittalu (2026): A Predictable Youth Drama Undone by Its Own Boldness
Ansh Thorat plays Ravi as a Class 10 topper whose studious foundation crumbles the moment romance enters the frame. There is an…
Equal (2026): lead performance keeps the film tense but uneven overall
A title like Equal carries a promise, of balance, of symmetry, of a story that knows exactly what it wants to say.…
Aali (2026): A Malayalam Romance That Trusts Its Quiet Moments
There is a particular stillness in Malayalam romantic dramas that Hollywood often rushes past, the pause before a confession, the weight of…
Sarvagunn Sampann (2026): Vaani Kapoor’s Identity Comedy Is a Curious Oddity
The teaser’s defining image is unmistakable: Vaani Kapoor split across two looks, one demure and one dangerously close to a public fantasy,…