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Prahaar (2026): Rajkummar Rao’s Controlled Prosecutor vs. A Courtroom That Won’t Hold Still
The single chargesheet lands on the judge’s desk like a closing fist, and for one clean moment the chaos of 26/11 has…
Nayyi Navelli (2026): Yami Gautam’s Daayan Bride Comedy Sags Under Its Own Folklore
The most unsettling image in Balaji Mohan’s Meerut-set fantasy comedy isn’t a reversed footprint or a flickering tube light. It’s the sight…
Ranabaali (2026): Vijay Deverakonda’s Famine-Era Revolt Sings, Then Sags
Somewhere in the third hour of Ranabaali, a British commissioner asks a starving village what it wants, and the answer arrives not…
Drishyam: The Conclusion (2026): Ajay Devgn’s Vijay Salgaonkar Returns in a Sequel That Guards Its Secrets Too Well
The rain-slicked verandah of the Salgaonkar house is the first thing we see, and it tells us everything: this family has been…
Afreet – A Never Ending Night (2026): A Never Ending Night (2026): Dev Bodhare’s Horror Short Fumbles Its Own Terror
The most frightening thing about a 23-minute horror short is how fast the clock runs out on atmosphere. Afreet – A Never…
Kalpana Aur Yatharth: Salil Singh’s Reality-Bending Drama Is A Ghost Of A Film
The most telling detail about Kalpana Aur Yatharth is that its own director plays the man doing the searching. Salil Singh casts…
Manithee: the fire bird (2026): MJ Nitharsan’s Ambitious Tamil Fantasy-Thriller Burns Bright But Flickers Out
MJ Nitharsan’s Manithee: The Fire Bird opens with a premise that sounds like two different films wrestling for the same runtime. A…
Kitti (2026): Ashok Kumar Balakrishnan Anchors a Confession Thriller That Forgets to Interrogate
The auto-rickshaw driver walks into the station and says he did it. Two bodies, he claims, are on him. No chase, no…