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Hi! (2026): Nayanthara-Kavin’s Charm Carries A Familiar Courtship
The first meeting is built around nothing more than a greeting, and that restraint becomes the movie’s quietest strength. In that initial…
Tadviruddha (2026): A Dense Kannada Mystery That Values Evidence Over Excitement
Vikram Ramaiah’s retired officer Anthony sits with a fading crime photograph, the kind of grainy 1990s evidence that demands patience. There is…
Uttar Da Puttar (2026): A Gentle Satire That Prefers Warmth Over Bite
Annu Kapoor leads this ensemble with the kind of heartfelt ease that has become his signature. His Professor isn’t a loud caricature;…
Dulhaniya Le Aaeegi (2026): Khushalii Kumar Anchors lifts key stretches, not the full runtime
The wedding mandap is set, the families are squabbling, and Navya, a 32-year-old heiress played by Khushalii Kumar, is told she must…
Karavali (2026): Kambala Spectacle Can’t Hide A Fractured Narrative
The Kambala races thunder across the screen with mud-splattered ferocity, and for a moment, Gurudatta Ganiga’s coastal drama feels like it might…
Sathyavan Savithiri: A Courtroom Drama That Rests on Keerthy Suresh’s Shoulders
The teaser places us inside a sterile courtroom, where the camera lingers on the polished wood of the benches before settling on…
Mister Middle Class (2026): Srikanth carries the stands out while the narrative loses grip
Srikanth is the reason this film is even being discussed. His emotional stretches land with a sincerity that the screenplay never earns,…
Father’s Day (2026): A Kannada father-son road drama stuck in neutral
The reveal lands early: Sushant, on the verge of becoming a father himself, learns his estranged father is alive. It is a…