KD – The Devil (2026): Dhruva Sarja Anchors Prem’s Scale-Heavy Crime Drama
A naive young man named Kaali glides through early-1970s Bangalore as if untouched by the city’s underworld machinery, until circumstance and proximity…
The Odyssey (2026): Matt Damon s lifts key stretches, not the full runtime
Matt Damon’s Odysseus does not roar. He broods. In the opening stretch, he leaves Ithaca not as a victorious general but as…
Photographer (2026): Ashraf A’s Forest Thriller Is a Promise Waiting to Develop
The trailer’s most telling moment isn’t a jump scare, it’s Veera standing at the edge of Mathikettan Solai, told that twelve people…
Ananya’s Call (2026): A 33-Minute Tamil Thriller That Trusts Its Premise
The phone rings inside a quiet home, and Ananya Iris answers into a nightmare, an impossible event that demands she move before…
Equal (2026): lead performance keeps the film tense but uneven overall
A title like Equal carries a promise, of balance, of symmetry, of a story that knows exactly what it wants to say.…
Nayyi Navelli (2026): Yami Gautam’s Daayan Bride Comedy Sags Under Its Own Folklore
The most unsettling image in Balaji Mohan’s Meerut-set fantasy comedy isn’t a reversed footprint or a flickering tube light. It’s the sight…
Aadu 3 (2026): Shaji Pappan Returns, But Nine Years Is a Long Wait
Shaji Pappan and his magnificently chaotic gang are back, stumbling headfirst into another absurd predicament that only Midhun Manuel Thomas could dream…